[Intro] A badge at nine, a desk at ten, A process map at half past then, New folders waiting, clean and white, New scripture, printed overnight. The lifts release another floor, A brass sign gleams beside the door, Three traffic lamps above it glow, Welcome to the P-M-O. [Verse] Irene Walsh arrives on time, With forty tabs and numbered lines, A ruler, notebook, honest dates, And questions no one celebrates. She marks the owners, marks the cost, The days already quietly lost, She asks what blocks the Phoenix flow— A silence settles, soft and slow. [Pre-Chorus] Name the task and name the lead, Name the thing the task will need, Name the risk before it grows, That is how a project goes. [Chorus] Welcome to the P-M-O, Where every hidden current shows, Put the promise by the plan, Put the deadline where it stands. No secret path, no undertow— Red means danger, green means go. [Verse] The programme leads assemble chairs, With polished slides and cautious stares, They praise her framework, praise her tone, Then ask which columns can be shown. The Directors send a brief reply: "Keep detail low and confidence high. We value facts, but even so, Make sure the overall picture glows." [Chorus] Welcome to the P-M-O, Where every hidden current shows, Put the promise by the plan, Put the deadline where it stands. Welcome to the P-M-O— Some currents run too fast to show. [Instrumental Break] [Bridge] Forty-seven links appear, Taut from legal down to gear— The organ strikes the five-note phrase, The last note lands one beat too late. [Build-up] She says, "A plan must tell the truth. A measured risk is not a crime. A hidden risk just borrows time." The room performs its careful waves— A Director murmurs, soft and low: "She'll learn how status colours go." [Final Chorus] Welcome to the P-M-O, Where every hidden current shows, Put the promise by the plan, Put the deadline where it stands. The numbers gleam, the charts stay clean— Something still moves beneath the sheen. [Outro] The badge reads nine, the clock reads ten, The milestone moves and moves again, Three traffic lamps above the door, Only one is wanted anymore.